Download 100 Great Artists: A Visual Journey from Fra Angelico to Andy Warhol PDF

Title100 Great Artists: A Visual Journey from Fra Angelico to Andy Warhol
ISBN 139781841933498
Author
LanguageEnglish
File Size25.1 MB
Total Pages210
Table of Contents
                            Cover
Copyright
CONTENTS
INTRODUCTION
Angelico, Fra
Anguissola, Sofonisba
Arcimboldo, Giuseppe
Bellini, Giovanni
Blake, William
Bonheur, Rosa
Bosch, Hieronymus
Botticelli, Sandro
Boucher, Francois
Bruegel, Pieter
Canaletto, Antonio
Caravaggio, Michelangelo
Cézanne, Paul
Chardin, Jean-Baptiste
Cimabue, Giovanni
Claude Lorrain
Cole, Thomas
Constable, John
Corot, Jean-Baptiste
Cotman, John Sell
Courbet, Gustave
Cranach , Lucas the Elder
Dali, Salvador
David, Jacques-Louis
Degas, Edgar
Delacroix, Eugène
Duccio di Buoninsegna
Durer, Albrecht
Eakins, Thomas
Friedrich, Caspar David
Gainsborough, Thomas
Gaugin, Paul
Gentileschi, Artemisia
Géricault, Théodore
Giotto di Bondone
Girtin, Thomas
Goya, Francisco
El Greco
Grunewald, Mathias
Hals, Frans
Hiroshige, Ando
Hockney. David
Hodler, Ferdinand
Hogarth, William
Hokusai, Katsushika
Holbein, Hans the Younger
Homer, Winslow
De Hooch. Pieter
Hopper. Edward
Ingres, Jean-Auguste
Kandinsky, Wassily
Kauffmann, Angelica
Klimt, Gustav
Leonardo da Vinci
Lorenzetti, Ambrogio
Macke, Auguste
Magritte, René
Malevich, Kasimir
Manet, Edouard
Mantegna, Andrea
Martini, Simone
Masaccio, Tommaso
Matisse, Henri
Michelangelo Buonarroti
Millais, John Everett
Modigliani, Amedeo
Mondrian, Piet
Monet, Claude
Morisot, Berthe
Munch, Edvard
Peeters, Clara
Picasso, Pablo
Piero Della Francesca
Pollock, Jackson
Popova, Liubov
Poussin , Nicolos
Puvis de Chavannes, Pierre-Cécile
Raphael Santi
Rembrandt van Rijn
Renoir, Pierre Auguste
Rousseau, Henri
Rubens, Peter Paul
Savrasov, Alexei
Schiele, Egon
Seurat, Georges
Stubbs, George
Tintoretto, Jacopo
Titian
Turner, Joseph Mallord William
Uccello, Paolo
Van Der Weyden, Rogier
Van Dick, Anthony
Van Eyck, Jan
Van Gogh, Vincent
Velazquez, Diego de Silva y
Vermeer, Johannes
Veronese. Paolo
Warhol, Andy
Watteau, Antoine
Whistler, James Abbott McNeill
ACKNOWLEDGEMENTS
                        
Document Text Contents
Page 1

A visual journey from Fra Angelico to Andy Warhol

Ow-lotte Gerlings

Page 2

100
Great


tlStS

Page 105

1882

1899_

""
,,"'-'"

1906--10

1924

19JJ

/94J_ff

19H

1962

1964

1967

EDWARD HOPPER

B()rR in Nt'!!! )"T}.

J<JR"/ar¥"p"

SlUdi" iU",rra,iun
al.""'t1!! );..-}
w,",""aai an

,"'"
SfUdj~ paiming a'
Nn:> )"'} School
afAn

Tbrn "para"
'ripr to EtmlfJ<,
,bj,jly to Pari,

MarTi" ]"'<pbim
JimiH, N;,'i_

Bui/Mba_ ",
&arb Tnm), Cap,
Cod. R"""purrJ<
at MUnu'""f
Mod.rn An, Nn;)
);'Ti

Pit·. ''P''I7l'' lTip'
to M""co

E/""d '"
Am"iam
AGliumyofAm
and LL,,",

{{mo'Pm;,', of
grupbiCTa'
Pbi/atklpbia

M""""'"f Art

Major n'1T{J!fp"'ti:-.
", Wbi,"'J'
MUHtmf of
A","iam An,
N"" );..-}

;\fajor US
upr'_!Il,ir, at
Sao Paul"
BimnaJ., Dj" in
Nn., ) i.o-}

The AlKinthe Drink"r (1876) t.,.- Edg;.r Dcps
!)"gaJ' im"gi1llltion accitkm,,11y tr_formro ,b,
up"",tiOTIJ if "~'O </ hi, /rimds ,;:i,b tbi, pi<tUn'.
Th< ,""<Jlmm il actr":t Him Allar", ,11< man a
pai"m-caJlro iJ<Jbou,in. D<gilJ parrr"!"b",,
,itting 0«1' in ,bought, 1m! d"im,d b, did iii"
",,,m to portray lb.", aT dirripaud and d'gnuud,
t."bieb raj bill:! til. criria p<Tcd .. ,d 'lmn

T
he I"inting< of Ed ..... rd 11,,1" ..... an: tnditi"n.nd. ,isit" r n) Paris in thecarlr 1900s,

I.ndmarks of Ame rican Realis." , . lI"ppe r n: mained un,ffi:cred I')' m","ments

style he ne,,, r abmdoned hut <~d likeCubism, ju" ... heavo;dedAb"",crionbtcr

not f"lIo",' merelr in (mler to rep roduce on in AmeriC"~.

the "i,ii>le. As he said , 'No 'm"unt "f 'Amerie. seemed .wfully c rude and "' ...

skilful intcn'CJ1tion can "'I~''''' the essential when I got b,el " he admi""L J'Ct it ..... tl-.,se

elm'CJ1t of imagination.' qualities th., rooted I loppe r '. disquicting

Fiftr J'earS "1""'tC Tb, AbJjmb, O,.jnh r ,is iun , thmugh ... hich he c<Jm'eJs the SCJ1se of

from Auu"na' but D Cg">s sti rred Hoppers alienation that I",-""Ie. a "J' hig city.

a .. ", n: nCSS of ... ho t the Amt.,-ican aniSl call,,1 lniti .. llr trlin,,1 a< .n illlL<tnnlr, 11(~" t.,- "'''''

'd<'C~J'ing fm'" J"ur orih~n.1 idea', ... ith the ro" a go,_II"intcr ",chnic:tDJ'. lI ut the sell"';ty

statement: 'It ·s much bette r to dnw and harsh illumination of his "',mllO,ition<,

fn))n ... m<mo .. y. It"s • transfunnation in ... hich IlO l,..!a",d Il)' S<~C1'ln figures who at time. al" car
imagin .. ion ""Ibbonte' .. O ne "'1"o<lu"". scan:elr n)(l<e .. Ii,,, than the furniture , d", .. ·

onlr ... the n<'Ccssarr.' ,i"",'cr,; in ... ith . ",~ k"";,,, a"')(.<;phe n:. Like all

Although "Iueated In the European significant arti,ts, I lol" cr can. without a 0-""" of

Page 106

sentim""talitr, m.kc p"'plc Imk at SOmc

cOO1lmonphcc im.gc .nd prt""i",: their OW"

'u""-l" i bi ~tics in the tit"" of <bily cri""""".
Fur o,,:: r ~mr}'urS. Ilol" rt ",,,marricd to

Jo Nil-ison . his in'l'ir>tiun. model .nd

intdlcctual match. Jo ",as an artist h<-rsclf.

whose d''I·dol. "cnt was ,h"art,,] br I lul" rt'.

dcmands on hrt 'imc. T hey had a «u<lio

"I""",,,nt in N, ... · ",rio and ano,irr h,."c at
Capc Cod . ... hcrc Ilo l" cr "'prcsentcd thc

sun.minc as thc s<~c .ntidotc tt, mc]'ncholr.

Auto"'." (1927) br Ed",. "l llopp'"
A "Y!1mm ri" a/"", ,,·itb a cup" coffi" II,. c"" only g'"'' if !bu,"pty cbair

"PP"ri" ,",am tbat 'M" 'X"f"Cting '"'""'~ or ind«d ""(Jwd ""/,,,,", !b,
arrh'aJ of anyon, at aU. Pladng bn in i11l aJima,ing nr.·iron,"m' ,,·b= ","""

con"'" only ,,·itb u<nt/ing m",bi~" HopI'" mahs un "dirt""" ""d
d""chmmt _ painud and imaginary _ to cw," a rimation ,,·b.,., til. ,·i.-at"

mpp(NS til. con"q'ml(~

Page 209

ACKNOWLEDGEMENTS

Imag'" ''1,rud"""d "ith permission from the f(~ I()",ing:

Art Archi ,., (Picru rt: D",;1):
6, 7, 8, 9, 10, 11. H ]5 . 16. 17. J9 , lO.lL n . H. 2-1.
15 , 26, 17.19. 30. 31. n H. H 35, 36, 17, 38, 39, -11 .
43 . 4-1. 46, 48 . 49. 50. 51. H. H 55 . 56, 57, 58, 59 , 60.
61 , 61 , 66, 68 , 70. 71 . 74 . 75 . 76. 77,79. 80, 81 . 81,83,
fW . 85 . 86, Sil , 89, 91. 94 , 95 . 97 , 100. 103. 10-1. 106.
107, lOS . 109. 110. 111. 112. 113 . 1 H 11 5, 116. 117.
liB. 119, llL lB. 124, 115. J!6 , 1l7. H8. 119, IJO,
131. lH, lH 137, 138, 139, 140, 1-11. 1-13. 144, 1-15 ,
1-16. 148, 149, 151. In , lB. lH. I55 , 158, 159, 16L
161. 163, 1M. 165. 166.167. 169. 170. liL 174.176,
177,178, 179. 180, lSI. 182. J83 , lfW. 185. 186, 193.
19-1. 195 . 199. 100. 101 , 103, 10-1, 105

AKG Art Lib,... ')"

"
BridgCTIl3n Art Lib,... ry:
II . 18. 40, 71. 73 . 78. In 133 . 135. 1-11 . 156. 1)7, 160.
171,171 , 106

Corbi s :
13 , 18. 41. 45. 47. 51 . M . 65 . 67. 69 , 87, 90, 92. 93 , 96,
98,99, IOJ. 101, 110, )36, 147, 150, 168, 175, 187 , I BS,
189, 190, 19J. 19!, 196, 197, 198, 101, 107

Ed ward Ilo JlfH'r
1'105: Auwma' Des ,\ loin'" An Crn'e, I'enllan<"",
C~le<1;on'; Purcha",d "i,h funds from ,he E,hllundson
An Fowl(h';()fl, Inc. , 1958..1

D.vid Hod ",,,>,
p 91: MT and ill". GIlT} and Pmy 1970-71. Acry lic ' II
<"Am'as. fW" x 110" (') D"'id I k.::kncy

£..I .. "dor D.li
I' 53 (') Sah".do. Utli. G.J.·Sah"1'~" Djli Foun,btion ,
DACS, L",.lon 1005

Vtisily K>nd insl.y
I' 109 (') ADAGP, I'a,i< .nd DACS, Lond'II 1005

Rene M:.>gri tte
pIlI (') ADAGI', Pa,is .nd DACS, London 1005

Ilcnri ,\l:.iti<sc
p IH (') Su"",,<sion II ,\1:t,ilsdDACS 1005

Pict ,\I o rwlri:.on
p 141: C""n/",,irio" ,;:itb R,d. Blac}, Bbu and )<llot.", 1928
Oil On cam'a<, 45 x 45 Cm. (') 1005 ,\Iond,ianllloitzm.n
Trust, do IICR In"'m' tional Wa,"'nnm \r,rgini.

Ed .. " rd ,\Iunch
I' 147: ' Inc Sc"'"m 189 3. ·!~n~,er.t on I. ,a,d. 83.5 x 66
Cm. ,\lunch ,\l u,",wll , o.lu.
,\r,,,,,,k: (') ,\ l unch ,\ 1",<"Um/,\ lunch EI~ng"-"" Gmup,
BONO, OskJIDACS, u,n,tm 1005
Photo: (') ,\ lunch ,\1 ",emil (Andersen/de Jong)

p..[,!o Pic:>sso
p 151 (') Su"""~()n Pic:tS.<()/ DAC~ 1005

J ""kson Pollock
p 155 (') ARS, NY and DACS, Lond'II 1005

Andy W" rfto!
I' 103 (') ' Inc Andy \\,.,1.:,1 ]i(Junda,ion fo< ,he \r,,,,,al
Ans, IncJARS,;"'Y and DACS, L",.ion 1005

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